Showing posts with label ART-MEXICO. Show all posts
Showing posts with label ART-MEXICO. Show all posts

Thursday, April 29, 2010

Mexico: Daniel Lezama

Daniel Lezama showed some extraordinary new works at Zona Maco 2010. This series shows highly stylised encounters between colonial/literary and Mexican archetypal/mythological figures, combining beautiful facture with potent symbolism. Characters such as Malcolm Lowry’s fictional Geoffrey Firmin (from Under the Volcano), explorer/artist J.M Rugendas and other ‘nomads’ are depicted in complex allegorical tableaux. Lezama is highly articulate about his work, and his website is worth a visit (www.daniellezama.net). 

El Ecuador (nuevo pintor, nuevo modelo), 2009
Oil on linen, 320 x 240 cm
Cortesía Galería Hilario Galguera

Cita bajo el volcan, 2009

Oil on linen, 320 x 440 cm
Cortesía Galería Hilario Galguera

El dia de Diablo, 2007
Oil on linen, 320 x 240 cm
Cortesía Galería Hilario Galguera

Thursday, June 12, 2008

Mexican Visions: Denise De La Rue at Gagosian Los Angeles

Matador
Denise De La Rue
Gagosian Gallery
456 North Camden Drive
Beverly Hills, CA
Jun 14 - 21, 2008


Left: © Denise De La Rue
'Ignacio Garibay, Mexico City, Mexico', 2006
Analog print on color glossy paper, 48-3/8 x 35-3/8 inches (123 x 90 cm), Ed. of 3
Courtesy the artist and Gagosian Gallery

Mexican photographer Denise De La Rue's debut exhibition at Gagosian LA will be interesting.

From the press release:
"De La Rue's Matador series offers a glimpse into the complex social and moral implications of modern bullfighting, a cultural cornerstone of the Hispanic world. She portrays the mythic bullfighters of Mexico and Spain immediately after the fight, often bloodied. Her large- scale photographs dissect the constructed façade of the fight to provoke new perceptions of familiar images.

Removed from the immediacy of the ring, De La Rue places the matadors in settings that are reminiscent of Baroque portrait painting. Museums and mirrored dressing rooms draped with tapestries are backdrops depicting religious scenes. De La Rue uses her primarily male subjects to examine the accepted tenets of the bullfighting culture and to expose the dualities embedded in this historic tradition. She explores the dual identity of these heroes of the past, part ballet dancer - beautiful in their ornate dress and elegant dance in the ring; part warrior - locked in mortal combat with the toro bravo. At the same time, she asks viewers to consider both the lionization of the fighters in Hispanic cultures and the pervasive disapproval of the sport by the rest of the world. Matador expands on her previous series profiling Mexican wrestlers and continues her exploration of the many identities and personas that shape our world.

Denise De La Rue was born in Mexico City in 1972. She is a graduate of Art History from the Centro de Arte Mexicano, Mexico City and studied at the Escuela Activa de Fotografía, Mexico City, and the Academia delle Belle Arti in Florence, Italy. She was also a participant in the group show "Mextilo", at the Centro Nacional de las Artes in 2005. She lives and works in Mexico City.

An artist's book, MATADOR, accompanies the exhibition."

Sunday, July 22, 2007

Latino Visions #3: Tomas Lopez Rocha in Mexico City
















©Tomas Lopez Rocha Untitled 2006, courtesy Charra Negro Gallery, Zapopan, Jalisco, Mexico
Photos below © Le Flaneur

Showing at MACO (see Latino Visions#1 below) by Charro Negro Gallery(http://www.charronegro.com), and simultaneously at the excellent Galería de la SHCP in Mexico City's Centro Histórico, was the exciting Guadalajara-based painter/sculptor Tomás López Rocha. It's interesting that his painting and sculptural styles are quite different, almost to the point of appearing to be the work of different artists. The SHCP show featured paintings, drawings and installations, beautifully hung and lit in a noble (inevitably muralled) space, and unusually I was allowed to take flashless photographs - see below. See more at the artist's site: http://www.tomaslopezrocha.com